With the chords of the Scale Chords project, you can create nice chord progressions easily. Let’s see how many tertian chords are in the Melodic Minor Scale, starting on each of its scale degrees. Another interesting note about augmented triads is that if there is 1 augmented triad in a scale’s harmonization, there are automatically 2 more! Scale degree seventh chords of the melodic minor scale adds a variety of other chord qualities that are not in the natural major and harmonic minor scales that we’ve covered in the past.. The scale is called the harmonic minor scale because it is a common foundation for harmonies (chords) in minor keys. Triad chords are built using the 1st, 3rdand 5th notes of the scale, so the first triad below will constructed a chord using notes A, C and E. The second triad below will repeat this, but this time starting on the 2nd note, so its notes will be B, D and F# - ie. The white keys are named using the alphabetic letters A, B, C, D, E, F, and G, which is a pattern that repeats up the piano keyboard. And so the complete triad chord name prefixes the root note, E, onto this quality, giving us the E major chord. The “Classical” Melodic Minor is one scale ascending (the real Melodic Minor) and a different scale descending (the natural minor or 6th mode of the Major Scale). This step shows the scale note names that will be used to construct all triad chords that harmonize with those scale notes. And so the complete triad chord name prefixes the root note, C, onto this quality, giving us the C augmented chord. In place of the b or c symbols above, figured bass symbols could be used to indicate inversions after the chord number symbols ii: So in this key, ii6 refers to the B minor chord in 1st inversion, and ii64 refers to the B minor chord in 2nd inversion. When thinking diatonically in functional harmony, we harmonize and build chords based on the Diatonic Scale (Major Scale and its modes). Diatonic 7th chords: Examples of lines. Over the Emin7 chord, theory suggests using E natural minor scale to avoid the natural 7th contained in the harmonic minor scale. The note interval name for the 3rd note / scale degree is therefore major, also called M3 for short. Use the form below to select one or more scales, hit "Go", and the harmonizer will tell you what chords will … More details of this interval are at G#-min-3rd. So the first mode of the Melodic Minor Scale is built on the first note (therefore it’s the same), and the second mode of the scale is built on the second note, and so on so forth. It’s not often that we build chord progressions out of the Melodic Minor Scale, but learning its chords will prove to be invaluable in your study of theory, I promise you! The chord symbol vio could be followed by the letter a to indicate that it is F# diminished chord in root position (ie not inverted) - A melodic minor scale chord vioa. The obvious usage for Melodic minor would be to just play it over any of the chords above. You can use the chords with the B-F tritone in them but I’d stay away from them if this is your first time using this scale. Also, the Natural Minor Scale has the same chords as the Major Scale “but in different order”, because it is the Ionian mode (Major Scale) harmonized starting on the 6th interval. Chord i: D minor. Notice the G augmented and B augmented. So that is chord overload but I wanted to list all the possible chords that you have available to you. Each scale contains a vast number of possible chords created by combining the available notes. The diminished symbol 'o' is placed after the roman numerals to indicate this is a diminished chord. 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